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Our dynamic show featuring World class performers incorporates Samba dancers, Brazilian drummers, break-dancers, acrobatics, breath taking fire acts and more.

From the glittering sights of the Rio Carnival to the electric sounds of Bahia, our shows are proud to represent Brazil and bring to you the best of their magic and vivid culture.

Our Brazilian and latin shows have been featured all over Australia and Internationally for major clients and worldwide and we are proud to have represented the RIO Australian Olympic teams for media appearances and sporting events.

We specialise in stage shows , wedding entertainment , corporate events , casino and club entertainment , sporting events, festivals , product launches, and more and our major credits include;.

Your Samba dancers and drummers were fantastic, punctual and so professional. We love your team and look forward to working with you again.

The drums and dancing was amazing, it really brought our night to life. What a way to kick start the night!

Thank you so much Becky Wright , Allambie Heights Public School- Parents and Teachers Committee Thank you, for an amazing night: fabulous choreography, gorgeous costumes and a tight-knit team.

Domingues, Henrique Foreis Almirante Fernandes, Nelson da Nobrega Escolas de samba - sujeitos celebrantes e objetos celebrados in Portuguese.

Ferraretto, Luiz Arthur Porto Alegre: Sagra Luzzatto. Franceschi, Humberto M A Casa Edison e seu tempo in Portuguese. Frota, Wander Nunes O "it verde e amarelo" de Carmen Miranda in Portuguese.

Garcia, Walter Mario Reis: O fino do samba in Portuguese. Goulart, Silvana Na roda do samba in Portuguese.

Lopes, Nei Rio de Janeiro: Selo Negro. Rio de Janeiro: Pallas. Partido-alto: samba de bamba in Portuguese.

Lopes, Nei; Simas, Luiz Antonio In Stroeter, Guga; Mori, Elisa eds. In Barbosa, Marcio; Ribeiro, Esmeralda eds. Noel Rosa: Uma Biografia in Portuguese.

Mello, Zuza Homem de; Severiano, Jairo Mello, Zuza Homem de Motta, Nelson Noites Tropicais in Portuguese.

Rio de Janeiro: Objetiva. Moura, Roberto Naves, Santuza Cambraia Rio de Janeiro: Zahar. Neto, Lira Pereira, Carlos Alberto Messeder Ruiz, Roberto Araci Cortes: linda flor in Portuguese.

Sadie, Stanley, ed. Translated by Eduardo Francisco Alves. Sandroni, Carlos Severiano, Jairo Barboza da; Oliveira Filho, Artur L Cartola, os tempos idos in Portuguese 2 ed.

Rio de Janeiro: Gryphus. Samba, o dono do corpo in Portuguese. Rio de Janeiro: Mauad Editora Ltda. Souza, Tarik de Tatit, Luiz Lisboa: Caminho Editorial.

Vasconcelos, Ary Estado Novo: ideologia e poder in Portuguese. Vianna, Hermano, ed. In Bosi, Alfredo ed.

Abreu, Martha Rio de Janeiro. Alberto, Paulina L Abreu, Mauricio de; Vaz, Lilian Fessler Salvador: Almeida, Paula Cresciulo de Arbix, Daniel do Amaral Revista Direito GV in Portuguese.

Benzecry, Lena Calabre, Lia Campolim, Douglas Campinas: University of Campinas. Concagh, Tiago Bosi Dantas, Laura Figueiredo Dias, Marcia Regina Tosta Ferraz, Igor de Bruyn Frugiuele, Mario Santin Garcia, Miliandre 3 December Gerolamo, Ismael de Oliveira Gomes, Marcelo Silva Gonzalez, Rafaela Rohsbacker Lima, Ari Artcultura in Portuguese.

Machado, Gustavo Barletta Revista Sonora in Portuguese. Campinas: University of Campinas 3 : 1— Ipotesi in Portuguese.

Mattos, Romulo Costa The choreography is often spontaneous and is based on movements of the feet, legs and hips. One of the most typical moves is the umbigada which is clear Bantu influence, where the dancer invites her successor into the circle's center.

The factor that frequently draws the attention of most people to the rhythm is the unusually-accented syncopated beat.

This syncopated rhythm is also an indication of Black resistance against cultural assimilation. The Samba of Roda in particular was considered an expression of freedom and identity of the underprivileged and became a means of liberation.

The Samba de Roda has significantly waned during the twentieth century due to economic decline and increased poverty in the region. The effects of mass media and competition from popular modern music have also devalued this tradition among the younger generation.

Finally, the weakening of the Samba de Roda was heightened through the aging of practitioners and demise of those who made the musical instruments.

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April Dance Research. Samba dance evolved particularly in Rio de Janeiro, from where it spread throughout Brazil to the rest of Latin America and eventually to other parts of the world.

The Samba dance started as a solo dance and evolved as it found its way through favelas, discos, and ballrooms.

Over time, Samba dance took many forms and included various types such as,. Samba Pagode : this dance originated in the city of Sao Paulo, and it is done intimately to a slow tempo.

Samba Reggae : this dance originated from Bahia to become one of the most popular Samba styles. The dance is done to rhythmic beats from Samba drums.

One of the most famous practitioners of the dance is Carmen Miranda.

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